In today's class, I will:
introduce you to this Unit/Module,
outline the aims & objectives of this Unit/Module over the course of the 13 weeks;
reiterate the approach we take at SAE of practical-based classes (for DATA) and then your Reflection of that DATA experience; and then
go down to the Studios to get you all started on the practical life of a Studio.
[Please wear practical clothes - including covered/enclosed footwear (ie no flip flops, sandals, open toe shoes or high heels lol ), and layers to put on or take off if/as you get cold or hot]
we then should come back to class to: show you how to make Studio-bookings; and open up your Learning Journals and add in your Class 1 DATA!!
In Class/Laboratory Rm2.7
Reinforcing the Week 0 Orientation Session (and documents provided in the Slack channel "All Students");
Part 1a: Introductions + icebreaker
Part 1b: Intro to SAE Facilities (reminding them of Week 0 Orientation tour)
Part 2a: Intro to Module (Campus Online//Module Guide/Unit Site
Part 2b: Aim of Module: Signal Flow (in studio; in DAW)
Part 2c: Quick Overview of 3 Projects across the Trimester
Part 2d: SAE Learning (practical/hands-on, self-referential proactive, reflective practice, holistic grading);
Part 2e: Learning Journals (Data, Reflections, References) to be done weekly, routinely, etc (integral part of holistic grading);
Part 2f: Getting organised: Google calendars (scheduling classes and study times per week; planning to be proactive and productive)
Part 2g: AUD176 cohort comms via Slack (purpose of various channels)
Part 2h: some Industry-based texts that I will be drawing upon in 22T1 AUD176 that are useful for exploring in your 'DATA'
Part 2i: tools and resources you will need: decent Pro Audio closed-back Headphones; and access Pro Tools (via SAE)
In Studios Audient ASP4816A + B
Part 3a: Studio visit
Intro 4816 Studio environments
- Control Room
- Live Room
Components of, and
Powering up studios
Part 3b: Intro Signal Flow concept (sound source, transducer/microphone [capturing acoustic energy, converting to electrical energy], XLR cable, junction box, )
Part 3c: Into Signal Flow (Stage 1 - Sound Source to Console) in Control Room only,
using only 1* Dynamic Microphone
Part 3d: 2 students repeat with facilitator leading them
Part 3e: Students practice in 2 Groups across 2*4816 Studios/Control Rooms. Facilitator floats to assist and reiterate steps
Part 3f: 2*groups debrief their experience
Part 3g: Into Signal Flow (Stage 2 & 3 - Console to Tape; Tape to Console) in Control Room only using only 1*Dynamic Microphone, and Pro Tools as Tape
Part 3h: 2 students repeat with facilitator leading them
Part 3i: Students practice in 2 Groups across 2*4816 Studios/Control Rooms. Facilitator floats to assist and reiterate steps
Part 3j: 2*groups debrief their experience
Part 3k:Introduce the SAE BNE required power down, cleaning and pack down process in order to finish and return the gear to the Tech Team 15 mins prior to the end of each studio booking
Part 3l: Supervise the students in this process, including some instruction on rolling cables,etc
Part 3m: Repeat SAE Booking studio and hiring gear process (from Wk0 Orientation Session)
- 4 hours per week per Student ID, per Studio (4816 A; and 4816B).
- Groups of 2-3 from now
**Post-class Homework class: Book studio time with 2 peers and practice all stages to date
Note: see 2 images of the small whiteboard taken in the Friday's class as a summary of the practical stages and steps
In Class/Laboratory Rm2.7
Part 4a: Booking a Studio
Part 4b: Working in small groups of 2-3 peeps, review/practice the Signal Flow covered today as Post-class Task
Part 4c: Pre + Post Class Tasks overall (integral part of holistic grading)
Part 4d: What to do post today's class:
- review EVERYTHING covered in Parts 1,2,3+4 of Week 1's 6 hour session
- commence Linked-In Learning (Pro Tools instructional video)
Have a great productive week - see you in Week 2!!!
What is your name: Ben
Where are you from: born in New Zealand was from gold coast now in Brisbane
What music are you interested in: anything but mostly pop punk
Why did you choose sae: googled audio course and this was the first result
Where do you want to be in 5 years time: film post production
Pensado's place youtube: https://www.youtube.com/channel/UCno8mYpnGhTA9COSW9sP8gQ
https://www.linkedin.com/learning/pro-tools-2021-essential-training-101-the-basics?u=7617884
https://www.rtings.com/headphones/graph
https://sites.google.com/sae.edu/saebrisbanetechportal/
https://sites.google.com/sae.edu/saebrisbanetechportal/facilitiesmaps/audient-4816-ab
Under one student number is allotted 4 hours per week per studio, 2 studios means max 8 hours per week.
SSL vs Neve consoles:
Neve consoles primarily use tube amplifiers meaning they sound more warm then the SSL consoles which use solid state amplifiers.
Studio has:
mixer/ console | monitors | computer/ tape | interface/ ad/da converter | outboard gear.
Stage 1: Live room to console
Stage 2: Console to tape
Stage 3: Tape to console
sound source -> microphone/ transducer -> Xlr cable -> junction box/ cable snake -> console -> tape -> console -> monitor.
mixer S faders L faders, short black faders and long white faders.
all inline consoles have a channel path and a monitor path.
mix button sends the channel to the main mix.
fader first then mix button.
The console we are learning on is an audient ASP4816.
signal flow:
Input gain -> small faders -> mix -> large faders -> master fader -> monitor pot.
Reverb unit: M350
compressor unit: dbx166xs
Reflection
What?
What activities have I completed this week?
This week we went into the studios to have a look at the consoles will be using throughout this class. We did an icebreaker activity where we got to learn about the person sitting next to us in class. We went over the three stages of the recording process. We got to set up the live room and console room and a microphone and started to learn how to do signal flow.
So What?
So, what have I learned this week?
This week I learned how to use the ASP4816 console. We learnt what short and long faders are in regards to the channel path and monitor path. We learned some of the basics of routing using the mix button and the matrix buttons. We learned what the difference between even SSL consoles are being primarily the hardware differences producing different tones in the sound. We learned the basics of how the control room is set up with the console, monitors, interface, outboard gear and patchbay. We learned how to use the M350 reverb unit through an auxiliary on the console to add reverb to a sound.
Am I on the right track with this unit?
This hardware stuff I have been researching myself for the past four or five years so it's something I've been wanting to get into forever but never had the money to be able too so being in the studios is nice.
Now What?
Now what will I do to move forward?
I want to find the manual for the SP4816 consoles so I can learn more about how they are routed because there is some sections I don't quite understand where the signal flows. Could say it's counter intuitive to where I would've thought it would have whent.
References
Audient. (2022). Audient asp4816. audient.com. Retrieved 8 February 2022, from https://audient.com/products/consoles/asp4816/overview/.
AVID. (2022). Protools. avid.com. Retrieved 15 March 2022, https://www.avid.com/pro-tools.
DBX. (2022). dbx 166xs. dbxpro.com. Retrieved 8 February 2022, from https://dbxpro.com/en/products/166xs.
Shure. (2022). SM57 Dynamic Instrument Microphone. Shure.com. Retrieved 8 November 2021, from https://www.shure.com/en-ASIA/products/microphones/sm57.
TC Electronic. (2022). TC Electronic M350. Tcelectronic.com. Retrieved 8 February 2022, from https://www.tcelectronic.com/product.html?modelCode=P0CJP.